ZIT/ZIB 细节滑块 / 画面细节增强 LoRA 是一款专为 ZImage 生态打造、基于 ZImageTurbo 与 ZImageBase 双基座训练的细节增强 LoRA 模型。它可精准强化皮肤纹理、布料纤维、金属反光与发丝等微观质感,通过权重滑块自由调节细节强度,一键实现画面从干净通透到细节拉满的灵活切换,完美适配写实人像、场景渲染等创作需求,有效弥补底模生成时的细节丢失,显著提升图像清晰度与真实质感。
ZIT版本大于 2 时图像可能会变暗,小于 -2 时图像会大幅变亮。介于 -2 和 2 之间效果最佳。请根据提示进行调整。
ZIB版本负值可以非常大,正值则必须保守。请查看示例以了解每张图片中的数值情况。
| ZIT使用提示: | Strength: 1.5 |
| ZIB使用提示: | Strength: 1 |
作品参照

Hyper realistic batman with a diamond thunder symbol on his chest, diamond thunder buzz symbol, dark background, vignette
Steps: 7, baseModel: ZImageTurbo, CFG scale: 1.2, Sampler: undefined, Seed: 242821923, process: txt2img, workflow: txt2img, draft: false, width: 832, height: 1216, quantity: 1, stepName: $0, completed: 2026-01-27T09:11:46.699Z, disablePoi: true, aspectRatio: 13:19, outputFormat: jpeg, Clip skip: 2

anime, high_budget_anime_movie_style, key_visual, ultra_detailed_background, 4k, 8k, cinematic_lighting, intercity_train_twilight, painterly_environment, soft_cel_shading, adult_woman, imagine a lavish anime movie illustration of an adult woman in her early thirties traveling alone in a modern intercity train carriage at twilight, composed like a theatrical key visual where she is rendered with elegant, mature anime lineart and nuanced shading while the passing countryside, glowing carriage interior, and reflections in the window are painted in rich, cinematic detail; she is clearly an adult, around thirty to thirty-four, with a calm, introspective presence, average height with a relaxed but upright posture, shoulders slightly slouched in the seat from a long day yet still attentive, her body turned subtly toward the window. Her face is softly angular with a gentle jawline and defined cheekbones, warm light-beige skin with natural shading beneath her eyes and along her nose, faint lines at the corners of her eyes and mouth suggesting a real adult life; her anime-style eyes are refined almond-shaped, deep brown with subtle amber flecks, irises rendered with layered gradients and tiny reflections of carriage lights and the blue-pink sky outside, small lower-lid shadows adding mature depth; she wears realistic adult makeup: thin brown eyeliner, soft taupe eyeshadow, light mascara, and muted rosewood lips, with a touch of highlight along her cheekbones catching the interior lighting. Her hair is medium-length, dark brown with understated warm highlights, slightly wavy from the humidity of travel, worn loose with a side part, some strands tucking naturally behind one ear to show a small, simple gold stud, others falling across her shoulder and catching the glow from the reading light above. Her outfit is travel-ready and adult: a light, soft knit sweater in muted dusty blue, sleeves pushed to mid-forearm, fabric rendered with fine knit texture and gentle folds around the elbows and waist; a long, lightweight scarf in cream and gray is looped once around her neck, ends draped loosely down her front; she wears slim, dark charcoal trousers that are comfortable but tailored, knees showing subtle creases from sitting, hems brushing the top of her shoes; on her feet, slip-on leather flats in warm tan, slightly worn at the toes with small polished highlights. A medium-sized, well-used leather satchel rests on the seat beside her, flap closed but slightly bulging, hinting at a laptop, documents, and a book inside; a folded coat or jacket is tucked on the overhead rack above. She is shown seated full-body in three-quarter view by the window in a two-seat row, one knee slightly angled toward the aisle, one hand resting lightly on the closed satchel, the other cradling a paper cup of hot tea or coffee on the armrest; her head is turned toward the window, chin tilted slightly down as she watches the scenery slip by, lips curved into a small, thoughtful smile that feels quietly hopeful. The train interior is a high-budget anime background with everyday richness: wide, reclining seats upholstered in deep navy or charcoal fabric with subtle pattern, headrest covers in lighter tone, armrests with built-in cupholders and small control panels; rows of seats extend down the carriage, passengers rendered as soft-focus figures reading, dozing, or looking at devices; overhead luggage racks hold bags and coats, their metal supports catching long, thin highlights from the ceiling lights. Slim LED light strips run along the ceiling, casting soft, warm white illumination that blends with individual reading lamps above each seat; the floor is covered in a muted patterned carpet, with aisle lights glowing faintly near the steps. The large window beside her is framed in smooth plastic and polished metal, pane showing reflections of the carriage interiorâher face, the seat backs, small points of lightâoverlaid with the moving landscape outside. Outside the window, the twilight countryside scrolls by in painterly streaks: wide fields in deepening greens and browns, occasional patches of water reflecting the sky; clusters of trees in dark silhouette; distant farmhouses and small towns with scattered warm windows and streetlamps; power lines and telegraph poles rushing past in rhythmic vertical beats. The sky is a layered gradient from warm orange and pink near the horizon to deep blue and indigo higher up, with thin clouds painted as long smears catching leftover color; the last rim of sun has just slipped behind low hills, leaving the world in soft, transitional light. As the train passes over a river or elevated section, reflections of the sky and lights appear on the water as blurred, shimmering bands; distant roads are dotted with slow-moving car lights. Lighting is deeply cinematic: inside, the carriageâs warm lights act as the primary key, gently illuminating her face and upper body, creating soft cel-shaded shadows under her chin, nose, and along her scarf folds; the window acts as a secondary, cooler light source, casting bluish tones on the side of her face closest to the glass and along the edge of her sweater, while reflections from the sunset add subtle warm bands to her hair and cheek. The glass reflects a faint double image of her profile and her eyes, layered over the countryside, with bits of text from overhead signage ghosted across; the contrast between the warm interior and cool-toned outside creates a balanced, movie-like palette. Tiny dust motes drift in the air near the reading lights, occasionally visible as bright specks; the paper cup emits a faint plume of steam that curls upward, catching both warm and cool tints. Her anime shading is mature and nuanced: base shadows mapped to the mixed lighting, with smooth gradient transitions and slightly deeper tones beneath the eyes and at the corners of her mouth to suggest the real fatigue of travel and life; hair highlights painted as soft, curved bands that shift between warm interior light and cooler window reflections; sweater and scarf shading emphasize softness and comfort, with broad, low-contrast shadows and ambient occlusion where fabric overlaps at sleeves and neckline, trousers shaded with more defined creases, flats drawn with crisp lines and small bright highlights at the edges. The painterly background inside the carriage uses controlled brushwork for seats and structural elements, softer strokes for distant passengers; the landscape outside is rendered as more abstract, streaked bands of color and shape to convey motion, with occasional sharper details (a bridge, a line of trees, a cluster of lights) where the eye might linger. Composition places her slightly right of center, the window dominating the left side of the frame, with the diagonal of the seat backs and aisle leading the viewerâs eye from the lower right past her toward the depth of the carriage and then out through the window into the twilight; blurred foreground elements like the top of the seat in front of her or the edge of a passing service cart add depth and the sense of being in the scene. Mood: quiet, introspective, and gently transitional, like a mid-movie scene in a high-budget anime about adult life and change, where an adult woman sits between destinations, letting the passing landscape and soft train hum rearrange her thoughts. , , , , , , ,
Steps: 9, CFG scale: 1, Sampler: simple_euler, Seed: 0, Size: 832x1216, Model: darkBeastZDBZUpdatedDEC21_dbzAIOV10_2, Version: ComfyUI

real-life scene features above knee level of girl standing modestly at dark testing site with heavy equipments and multiple containers of luminescent liquids. she is a slender 20-year-old korean, white smooth complexion, youthful V-tapered face, big doll-like eyes, curiously stares at viewer, ponytail with bangs and long sideburns, black hair with pink highlights, cute hello kitty hairpins, large square glasses, black camisole tightly squeezes huge breasts, skin-tight pink yoga shorts with bulging crotch, white lab coat, flat belly, thighgap
Steps: 5, CFG scale: 1, Sampler: er_sde, Seed: 1097325657033701, width: 768, height: 1152
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